John Bergson emigrated from Sweden with his family in the 1870s. They settled in Nebraska where there were many other European migrant communities - German, Bohemian, Norwegian. After several tough years farming on The Divide, struggling against poor crops & bad weather, John is dying. He leaves the direction of the farm's future to his daughter, Alexandra, a capable young woman who has the vision that is lacking in her two brothers, Lou & Oscar. We first see Alexandra in the role that will become familiar - taking charge of a situation. She comforts her youngest brother, Emil, when his kitten is chased up a pole outside the general store & asks her friend, Carl Linstrum, to rescue it. She is calm & sensible, dismissive of the admiration of a passer-by & preoccupied by her father's illness. Lou & Oscar are good workers but unimaginative. They agree with their father's last wish, that Alexandra will run the farm. After John's death, there are several hard years but Alexandra is determined to keep the land they have & she convinces her brothers to take out a mortgage to buy more land when other farmers, including their neighbours the Linstrums, are selling out.
Sixteen years later, Alexandra's determination has paid off. She is the owner of a flourishing farm, employing farmhands & training young Swedish girls as servants. Lou & Oscar are married & settled on their own farms with their families. Alexandra is determined to send Emil to college, although Lou & Oscar, unimaginative as ever, can't see the point. Alexandra's neighbour, Marie Shabata, is an attractive, vivacious young woman who married a handsome man who soon turned surly & unpredictable. Her childhood friendship with Emil has continued & she admires Alexandra's calm efficiency at the head of her household.
Alexandra herself has changed very little. Her figure is fuller and she has more color. She seems sunnier and more vigorous than she did as a young girl. But she still has the same calmness and deliberation of manner, the same clear eyes, and she still wears her hair in two braids wound round her head. It is so curly that fiery ends escape from the braids and make her head look like on of the big double sunflowers that fringe her vegetable garden. Her face is always tanned in summer, for her sunbonnet is oftener on her arm than on her head. But where her collar falls away from her neck, or where her sleeves are pushed back from her wrist, the skin is of such smoothness and whiteness as none but Swedish women ever possess; skin with the freshness of the snow itself.
Alexandra is pleased when Carl Linstrum returns to The Divide after years away. Carl has always cared for her & his visit soothes the loneliness of her life. Lou & Oscar accuse Alexandra of impropriety & think Carl is after Alexandra's money (or, more accurately, their own children's inheritance). This causes a breach between Alexandra & her brothers & Carl leaves to seek his fortune in Alaska without any definite understanding between himself & Alexandra. Emil's love for Marie seems hopeless & he decides to leave as well.
O Pioneers! was Willa Cather's second novel & is considered one of the greatest American regional novels. Cather admired the work of Sarah Orne Jewett (who had encouraged her to write) & her influence is very evident in the glorious descriptions of the natural world & the landscape. Cather grew up in Nebraska &, in the portraits of the farmers & their families, she pays tribute to the women especially that she saw around her. In some ways, O Pioneers! was her true first novel as she later wrote when comparing it to her actual first novel, Alexander's Bridge, about a young engineer & set mostly in London.
... I began to write a book entirely for myself; a story about some Scandinavians and Bohemians who had been neighbors of ours when I lived on a ranch in Nebraska, when I was eight or nine years old. I found it a much more absorbing occupation than writing Alexander's Bridge, a different process altogether. Here there was no arranging or "inventing"; everything was spontaneous and took its own place, right or wrong. This was like taking a ride through a familiar country on a horse that knew the way, on a fine morning when you felt like riding. The other was like riding in a park, with someone not altogether congenial, to whom you had to be talking all the time.
(from My First Novels - There Were Two, The Colophon 1931)
O Pioneers! was unusual (it was published in 1913) as the popular novels of the time were the society or drawing room novels of masters like Edith Wharton & Henry James. Willa Cather's greatest novels & stories are set in Nebraska where she grew up & in New Mexico & other places where she travelled in later life. She was carrying on the tradition of writers like Jewett & Mary Wilkins Freeman in focusing on the lives of rural communities, often immigrant communities. Drawing on her childhood memories & the nostalgic affection she felt for the people & the times is one of the strengths of her work.
Alexandra is such a wonderful character. Calm, sensible, intelligent, she dominates the narrative as she dominates her family. She's like a medieval queen or great heiress, providing for her family, caring for her employees & treating them well but finding herself lonely in her lofty position. She also has her charities, from old Ivar, the strange old man who goes barefoot & has strange visions but has a canny common sense when it comes to farming to old Mrs Lee, Lou's mother-in-law, who looks forward all year to her visit to Alexandra where she can wear her comfortable clothes & tell all the old stories from her homeland that her daughter is too sophisticated to care about. Alexandra's competence leaves her feeling isolated & lonely, with only her old friendship with Carl to comfort her. Even Emil expects her to always be there, never changing, while he sets off to Mexico for adventures or is absorbed in his own thoughts of his hopeless love.
O Pioneers! is a quiet book about determination & perseverance. The big emotions are there although they are hidden under the hard work & social expectations of a tight-knit community. In that same article for The Colophon, Cather writes,
... I did not in the least expect that other people would see anything in a slow-moving story, without "action". without "humor", without a "hero"; a story concerned entirely with heavy farming people, with cornfields and pasture lands and pig yards - set in Nebraska, of all places!
& was surprised when it was published. After her third novel, The Song of the Lark, Cather found herself going back to the direction of O Pioneers! with My Ántonia. Her best-loved novels are these stories about pioneering immigrant families & strong women like Alexandra Bergson & Ántonia Shimerda. Thank goodness she took that direction rather than any other.
Showing posts with label Nebraska. Show all posts
Showing posts with label Nebraska. Show all posts
Tuesday, October 25, 2016
Thursday, May 22, 2014
One of Ours - Willa Cather
Claude knew, and everybody else knew, seemingly, that there was something wrong with him. He had been unable to conceal his discontent. Mr Wheeler was afraid he was one of those visionary fellows who make unnecessary difficulties for themselves and other people. Mrs Wheeler thought the trouble with her son was that he had not yet found his Saviour. Bayliss was convinced that his brother was a moral rebel, that behind his reticence and his guarded manner he concealed the most dangerous opinions. The neighbours liked Claude, but they laughed at him, and said it was a good thing his father was well fixed. Claude was aware that his energy, instead of accomplishing something, was spent in resisting unalterable conditions, and in unavailing efforts to subdue his own nature. ... the old belief flashed up in him with an intense kind of hope, and intense kind of pain, - the conviction that there was something splendid about life, if he could but find it!
Claude Wheeler has grown up on a farm in Nebraska. His father is prosperous but unsympathetic, prone to laughing at his sensitive son's desire to do more with his life. His mother is quiet & pious, supportive but powerless to influence her overbearing husband. Claude's older brother Bayliss has already left home & runs a store in the town. Younger brother Ralph is indulged & full of his own importance. Mahailey, the cook & housekeeper, does her best to help Claude & his mother.
Claude's best friend is Ernest, who has immigrated from Germany & can't understand Claude's desire for something different. "You Americans are always looking for something outside yourselves to warm you up , and it is no way to do. In old countries, where not very much can happen to us, we know that, - and we learn to make the most of little things". Claude finally convinces his father to allow him to go away to college & there he meets the Erlich family, who are everything Claude wants to be. European, cultured, welcoming. They're not a rich family but they don't worry about their poverty as Claude worries about having the right clothes or knowing the right things.
Claude's time at college comes to an abrupt end when his father sends Ralph off to manage a farm he's bought & Claude must come home. He thinks he's found his ideal in Enid Royce. He builds a beautiful home for them & has great plans but the marriage is a failure. Enid is more interested in her work for the Temperance Society & her sister's missionary work in China, than in her husband. Another dream shatters as Enid leaves to look after her ailing sister & Claude abandons his new home & goes back to the farm.
The outbreak of war in Europe in 1914 reignites his interest & his idealism. Although the United States doesn't enter the war for several years, Claude & his mother follow the war news in the newspapers with great interest. Here, at last, Claude believes, is an ideal worth pursuing. The sinking of the Lusitania & the stories of the suffering of refugees fire him with the desire to help the Europe he learnt about in college & on his visits to the Erlichs. He's ashamed that his country is just standing by, but as soon as the US enters the war, Claude enlists & is sent to France. He survives a horrendous voyage on a troop ship & undertakes more training when he reaches France. Eventually he is sent to the Front.
I loved this book, it will definitely be in my Top 10 of the year. Claude is a wonderful character, always dissatisfied & looking for more but never sulky or sullen. Maybe he's over-sensitive about his shortcomings but he is always searching for a life more fulfilling than the one mapped out for him by his father. Claude is a compassionate man. He never reproaches Enid for the failure of their marriage although he should have listened to her father, who warned him from his own bitter experience how a marriage to a woman like Enid could be. After every disappointment, Claude retreats & then starts searching again.
Willa Cather writes so beautifully of the Nebraska she knew as a girl, all the descriptive writing is so vivid whether in Nebraska or France. Here, Claude has an introduction from a friend to Mlle de Courcy, a woman living in one of the newly liberated areas of France. His visit lasts only an afternoon but their talk ranges over the past & the present as he tells her about Nebraska & the farm & she describes how she has survived the years of occupation.
There was nothing to do but to take his helmet and go. At the edge of the hill, just before he plunged down the path, he stopped and glanced back at the garden lying flattened in the sun, the three stone arches, the dahlias and marigolds, the glistening boxwood wall. He had left something on the hilltop which he would never find again.
Elegiac moments like this are contrasted with the horrors of war as the young Americans are thrown into the chase after the retreating German Army.
Willa Cather wrote, in a letter to Dorothy Canfield Fisher, about her cousin, Grosvenor, & the influence that his life had on the creation of Claude,
We were very much alike, and very different. He could never escape from the misery of being himself, except in action, and whatever he put his hand to turned out either ugly or ridiculous.... I was staying on his father's farm when the war broke out. We spent the first week hauling wheat to town. On those long rides on the wheat, we talked for the first time in years, and I saw some of the things that were really in the back of his mind.... I had no more thought of writing a story about him than of writing about my own nose. It was all too painfully familiar. It was just to escape from him and his kind that I wrote at all.
Cather's own struggle to leave the prairie behind is also part of Claude. She didn't want the book to be labelled a "war novel", but inevitably, it was. Published in 1922, the critics were mostly unkind, praising the first half set in Nebraska because that's what they considered she knew best, but disliking the sections dealing with the war as they thought she romanticized this conflict that sent so many young men to their deaths. However, it became a bestseller & won the Pulitzer Prize the following year.
I read quite a few of Willa Cather's novels when I was a teenager but I haven't read any in recent years apart from The Song of the Lark. I've been reading Heavenali's reviews of Cather, including One of Ours, & I've ordered Sapphira and the Slave Girl & Death Comes for the Archbishop. More for the tbr shelves!
Claude Wheeler has grown up on a farm in Nebraska. His father is prosperous but unsympathetic, prone to laughing at his sensitive son's desire to do more with his life. His mother is quiet & pious, supportive but powerless to influence her overbearing husband. Claude's older brother Bayliss has already left home & runs a store in the town. Younger brother Ralph is indulged & full of his own importance. Mahailey, the cook & housekeeper, does her best to help Claude & his mother.
Claude's best friend is Ernest, who has immigrated from Germany & can't understand Claude's desire for something different. "You Americans are always looking for something outside yourselves to warm you up , and it is no way to do. In old countries, where not very much can happen to us, we know that, - and we learn to make the most of little things". Claude finally convinces his father to allow him to go away to college & there he meets the Erlich family, who are everything Claude wants to be. European, cultured, welcoming. They're not a rich family but they don't worry about their poverty as Claude worries about having the right clothes or knowing the right things.
Claude's time at college comes to an abrupt end when his father sends Ralph off to manage a farm he's bought & Claude must come home. He thinks he's found his ideal in Enid Royce. He builds a beautiful home for them & has great plans but the marriage is a failure. Enid is more interested in her work for the Temperance Society & her sister's missionary work in China, than in her husband. Another dream shatters as Enid leaves to look after her ailing sister & Claude abandons his new home & goes back to the farm.
The outbreak of war in Europe in 1914 reignites his interest & his idealism. Although the United States doesn't enter the war for several years, Claude & his mother follow the war news in the newspapers with great interest. Here, at last, Claude believes, is an ideal worth pursuing. The sinking of the Lusitania & the stories of the suffering of refugees fire him with the desire to help the Europe he learnt about in college & on his visits to the Erlichs. He's ashamed that his country is just standing by, but as soon as the US enters the war, Claude enlists & is sent to France. He survives a horrendous voyage on a troop ship & undertakes more training when he reaches France. Eventually he is sent to the Front.
I loved this book, it will definitely be in my Top 10 of the year. Claude is a wonderful character, always dissatisfied & looking for more but never sulky or sullen. Maybe he's over-sensitive about his shortcomings but he is always searching for a life more fulfilling than the one mapped out for him by his father. Claude is a compassionate man. He never reproaches Enid for the failure of their marriage although he should have listened to her father, who warned him from his own bitter experience how a marriage to a woman like Enid could be. After every disappointment, Claude retreats & then starts searching again.
Willa Cather writes so beautifully of the Nebraska she knew as a girl, all the descriptive writing is so vivid whether in Nebraska or France. Here, Claude has an introduction from a friend to Mlle de Courcy, a woman living in one of the newly liberated areas of France. His visit lasts only an afternoon but their talk ranges over the past & the present as he tells her about Nebraska & the farm & she describes how she has survived the years of occupation.
There was nothing to do but to take his helmet and go. At the edge of the hill, just before he plunged down the path, he stopped and glanced back at the garden lying flattened in the sun, the three stone arches, the dahlias and marigolds, the glistening boxwood wall. He had left something on the hilltop which he would never find again.
Elegiac moments like this are contrasted with the horrors of war as the young Americans are thrown into the chase after the retreating German Army.
Willa Cather wrote, in a letter to Dorothy Canfield Fisher, about her cousin, Grosvenor, & the influence that his life had on the creation of Claude,
We were very much alike, and very different. He could never escape from the misery of being himself, except in action, and whatever he put his hand to turned out either ugly or ridiculous.... I was staying on his father's farm when the war broke out. We spent the first week hauling wheat to town. On those long rides on the wheat, we talked for the first time in years, and I saw some of the things that were really in the back of his mind.... I had no more thought of writing a story about him than of writing about my own nose. It was all too painfully familiar. It was just to escape from him and his kind that I wrote at all.
Cather's own struggle to leave the prairie behind is also part of Claude. She didn't want the book to be labelled a "war novel", but inevitably, it was. Published in 1922, the critics were mostly unkind, praising the first half set in Nebraska because that's what they considered she knew best, but disliking the sections dealing with the war as they thought she romanticized this conflict that sent so many young men to their deaths. However, it became a bestseller & won the Pulitzer Prize the following year.
I read quite a few of Willa Cather's novels when I was a teenager but I haven't read any in recent years apart from The Song of the Lark. I've been reading Heavenali's reviews of Cather, including One of Ours, & I've ordered Sapphira and the Slave Girl & Death Comes for the Archbishop. More for the tbr shelves!
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