Showing posts with label Sunday poetry. Show all posts
Showing posts with label Sunday poetry. Show all posts

Sunday, June 19, 2016

Sunday Poetry - John Donne

I'm going to feature my favourite poems over the next few weeks. John Donne has always been a favourite, one of the few writers that I still love after studying them at school (John Steinbeck didn't survive this test). When I think of this poem, A Valediction, Forbidding Mourning, I always hear Richard Burton reading it.

As virtuous men pass mildly away,
And whisper to their souls, to go,
Whilst some of their sad friends do say,
'The breath goes now,' and some say, 'No:'

So let us melt, and make no noise,
No tear-floods, nor sigh-tempests move;
'Twere profanation of our joys
To tell the laity our love.

Moving of th' earth brings harms and fears;
Men reckon what it did, and meant;
But trepidation of the spheres,
Though greater far, is innocent.

Dull sublunary lovers' love
(Whose soul is sense) cannot admit
Absence, because it doth remove
Those things which elemented it.

But we by a love so much refin'd,
That ourselves know not what it is,
Inter-assured of the mind,
Care less, eyes, lips, and hands to miss.

Our two souls therefore, which are one,
Though I must go, endure not yet
A breach, but an expansion,
Like gold to airy thinness beat.

If they be two, they are two so
As stiff twin compasses are two;
Thy soul, the fix'd foot, makes no show
To move, but doth, if the' other do.

And though it in the centre sit,
Yet when the other far doth roam,
It leans, and hearkens after it,
And grows erect, as that comes home.

Such wilt thou be to me, who must
Like th' other foot, obliquely run;
Thy firmness makes my circle just,
And makes me end, where I begun.

Sunday, June 12, 2016

Sunday Poetry - Eleanor Farjeon



Yesterday was a very cold day; winter has finally begun & it was a day of bitter winds & showers with even a little hail. Just as well it was Saturday & I was home all day to keep the house warm, dry & snug. I took Lucky to the vet for her flu vaccination first thing - which is a tale in itself. I had made an appointment to take both cats for the vaccination last Monday. When I arrived home from work, Phoebe was there but psychic Lucky was nowhere to be seen. I called, I searched, I rattled the nibbles bag - nothing. I think my mistake was getting the cat carriers out, ready to go, before I went to work. Lucky is a wary soul & made herself scarce. Of course, when Phoebe & I returned from the vet, who should come sauntering towards us, looking completely unconcerned & wanting her dinner?
So, I had to make another appointment.

After I brought Lucky home, I went to the farmers market, the greengrocer (for the things I couldn't find at the market) & then home. After a bit of housework, I made coffee, sat down to read Genji & before too long, Lucky was on my lap & Phoebe was in one of her favourite spots, on the top of the chair behind my head & they didn't move very much for the rest of the day.
It reminded me of Eleanor Farjeon's poem, Cats Sleep Anywhere.


Cats sleep, anywhere,
Any table, any chair
Top of piano, window-ledge,
In the middle, on the edge,
Open drawer, empty shoe,
Anybody's lap will do,
Fitted in a cardboard box,
In the cupboard, with your frocks-
Anywhere! They don't care!
Cats sleep anywhere.

Sunday, June 5, 2016

Sunday Poetry - Lady Murasaki

I started reading The Tale of Genji on Friday night & I'm enjoying it very much. My only problem is that the book is so heavy. As soon as I sit down in this chilly weather, either Lucky or Phoebe are waiting to jump up on my lap. I managed nearly two hours unencumbered reading time yesterday though as both cats were fast asleep. I'd been out shopping, did some housework & they were both still snoozing - Lucky under her blanket & Phoebe curled up on my bed - so I made myself a coffee & settled down with Genji. I've read about five chapters & I'm starting to recognize characters & feel in tune with the style. I deliberately didn't read the Introduction & background in my edition as I just wanted to plunge in. I may go back & read all that now that I've made a start - maybe next time the girls are asleep?

The characters converse in very formal, circumscribed ways, often through two line poems.  At the age of 17, Genji, the son of the Emperor & a very beautiful young man, has fallen in love with Utsusemi, the wife of an official. She is horrified by his advances & only piques his interest more by being so elusive. He recruits her young brother to his household so that he will be able to use him as a go-between. One of the poems he sends her refers to the robe he has taken from her room & which he keeps with him as a keepsake, as a cicada shell.

Underneath this tree, where the molting cicada shed her empty shell,
my longing still goes to her, for all I know her to be.

Utsusemi is secretly pleased with Genji's devotion although she knows that nothing can come of it. She writes a response to the poem on the same sheet of paper,

Just as drops of dew settle on cicada wings, concealed in this tree,
secretly, O secretly, these sleeves are wet with my tears.

Sunday, May 29, 2016

Sunday Poetry - Lady Murasaki

This picture of Lady Murasaki (picture from here) hints at a winter reading project I'm contemplating at the moment.
Lady Murasaki was an early 11th century writer & poet, a lady of the Japanese Court.  Very little is known about her, even her real name is unknown. This is one of her poems.

lost in a sky
of strange and far places
a hint of a house
and treetops in the mist
guide my way to you

she gazes
into the same skies
as you do
may your thoughts also
come to be one of accord

if you answered
the tapping of every
water bird
even a wandering
moon could enter

if the haze had not
come out to go in between
the moon and flowers
otherwise even the birds nests
might have burst into blossom

boat upon high seas
if you are drifting without
a harbor or course
give me a call and I'll row
out to teach you about ports

not even knowing
the meaning which the color
of lavender has
but watching it carefully
this one's heart is deeply touched


Sunday, May 22, 2016

Sunday Poetry - Charlotte Brontë

I've been reading Charlotte Brontë's juvenilia this week, the Tales of Angria, so I thought a poem by Charlotte would be perfect for today. This is Evening Solace, and its elegiac mood makes me think it must date from later in Charlotte's life, maybe after the deaths of Branwell, Emily & Anne, when she would pace the dining room alone in the evenings.

The human heart has hidden treasures,
In secret kept, in silence sealed;­
The thoughts, the hopes, the dreams, the pleasures,
Whose charms were broken if revealed.
And days may pass in gay confusion,
And nights in rosy riot fly,
While, lost in Fame's or Wealth's illusion,
The memory of the Past may die.

But, there are hours of lonely musing,
Such as in evening silence come,
When, soft as birds their pinions closing,
The heart's best feelings gather home.
Then in our souls there seems to languish
A tender grief that is not woe;
And thoughts that once wrung groans of anguish,
Now cause but some mild tears to flow.

And feelings, once as strong as passions,
Float softly back ­a faded dream;
Our own sharp griefs and wild sensations,
The tale of others' sufferings seem.
Oh! when the heart is freshly bleeding,
How longs it for that time to be,
When, through the mist of years receding,
Its woes but live in reverie!

And it can dwell on moonlight glimmer,
On evening shade and loneliness;
And, while the sky grows dim and dimmer,
Feel no untold and strange distress­
Only a deeper impulse given
By lonely hour and darkened room,
To solemn thoughts that soar to heaven,
Seeking a life and world to come.

Sunday, May 15, 2016

Sunday Poetry - Julia Ward Howe

I'm reading Elaine Showalter's new biography of Julia Ward Howe at the moment so the only possible poem for today is her most famous work, The Battle Hymn of the Republic. It's impossible to begin reading it (or even write the title) without humming the famous tune.

The biography is fascinating as I knew nothing about Julia Ward Howe except the fact that she wrote the Battle Hymn. Her marriage to a famous doctor, Samuel Gridley Howe (he ran the Perkins Institute for the Blind that Dickens visited & wrote about in his American Notes), was fraught with tension. The Civil Wars of the title of Showalter's biography don't just refer to the conflict that began in 1861.

Mine eyes have seen the glory of the coming of the Lord:
He is trampling out the vintage where the grapes of wrath are stored;
He hath loosed the fatal lightning of his terrible swift sword:
      His truth is marching on.

I have seen Him in the watch-fires of a hundred circling camps;
They have builded Him an altar in the evening dews and damps;
I can read His righteous sentence by the dim and flaring lamps.
      His Day is marching on.

I have read a fiery gospel, writ in burnished rows of steel:
“As ye deal with my contemners, so with you my grace shall deal;
Let the Hero, born of woman, crush the serpent with his heel,
      Since God is marching on.”

He has sounded forth the trumpet that shall never call retreat;
He is sifting out the hearts of men before his judgment-seat:
Oh! be swift, my soul, to answer Him! be jubilant, my feet!
      Our God is marching on.

In the beauty of the lilies Christ was born across the sea,
With a glory in his bosom that transfigures you and me:
As he died to make men holy, let us die to make men free,
      While God is marching on.

Sunday, May 8, 2016

Sunday Poetry - Alice Coats

As I've just read Julie Summers' book Jambusters & I'm in the middle of watching Home Fires, the TV series based on the book, this week's poem had to be from the Home Front. Alice Coats worked in the Land Army throughout the war & I think her poem, The 'Monstrous Regiment', reflects wartime England as it was seen by many women at the time.

What hosts of women everywhere I see!
I'm sick to death of them - and they of me.
(The few remaining men are small and pale - 
War lends a spurious value to the male.)
Mechanics are supplanted by their mothers;
Aunts take the place of artisans and others;
Wives sell the sago, daughters drive the van,
even the mansion is without a man!
Females are farming who were frail before,
Matrons attending meetings by the score,
Maidens are mending multiple machines,
And virgins vending station-magazines.
Dames, hoydens, wenches, harridans and hussies
Cram to congestion all the trams and buses;
Misses and grandmas, mistresses and nieces,
Infest bombed buildings, picking up the pieces.
Girls from the South and lassies from the North,
Sisters and sweethearts, bustle back and forth.
The newsboy and the boy who drives the plough:
Postman and milkman - all are ladies now.
Doctors and engineers - yes, even these - 
Poets and politicians, all are shes.
(The very beasts that in the meadow browse
Are ewes and mares, heifers and hens and cows...)
All, doubtless, worthy to a high degree;
But oh, how boring! Yes, including me.

Sunday, May 1, 2016

Sunday Poetry - Thomas Dekker

The weather here is so unautumnal (non-autumnal?) that I picked those roses yesterday morning. I've never picked roses in May before & there are plenty more buds ready to blossom. The jug is sitting on my current pile of books I'm either reading, planning to read or dipping into. Antonia Fraser's Boadicea's Chariot is on top of the pile because of Zenobia, Queen of Palmyra. I'm listening to Gibbon's Decline and Fall of the Roman Empire on audio (6 vols, about 130 hours in all. I'm about 13 hours into Vol 1) beautifully read by David Timson & yesterday while I was driving around shopping, I heard the story of Zenobia's revolt against Rome. I wanted to know more & thought that there was a chapter on her in Fraser's book so when I got home, I sat down & read it. (This is my justification for not Kondoising my books! Have a look at this heartfelt article on just that subject. I'm always dipping into my books when a thought or a reference leads me somewhere & as to throwing out books I haven't read yet or tearing out the pages you want to keep & throwing away the rest - words fail me!). I've had Boadicea's Chariot since 1988 & I know I could have googled Zenobia but I loved reading Antonia Fraser's view & it was quicker to grab the book from the shelf than to wade through a lot of websites. I also now want to reread her chapters on Boudica.

I have so many good books on the go at the moment, including two on the Kindle plus all those archaeology magazines at the bottom of the pile that I really want to read this weekend. It may not happen...

I'd also been humming The Lusty Month of May from Camelot during the week (& here's the incomparable Julie Andrews singing it. The photos in the clip are from the original production with Richard Burton & Robert Goulet. Just beautiful). So, when I was thinking about a poem for the week, I wanted something about May.This poem by Thomas Dekker may well have been an inspiration for Lerner & Loewe's song which is lovely even though it's about Spring rather than Autumn.


O, the month of May, the merry month of May,
So frolic, so gay, and so green, so green, so green!
O, and then did I unto my true love say,
Sweet Peg, thou shalt be my Summer's Queen.

Now the nightingale, the pretty nightingale,
The sweetest singer in all the forest quire,
Entreats thee, sweet Peggy, to hear thy true love's tale:
Lo, yonder she sitteth, her breast against a brier.

But O, I spy the cuckoo, the cuckoo, the cuckoo;
See where she sitteth; come away, my joy:
Come away, I prithee, I do not like the cuckoo
Should sing where my Peggy and I kiss and toy.

O, the month of May, the merry month of May,
So frolic, so gay, and so green, so green, so green;
And then did I unto my true love say,
Sweet Peg, thou shalt be my Summer's Queen.

Sunday, April 24, 2016

Sunday Poetry - Ivor Gurney

Tomorrow is Anzac Day & I've been reading this new anthology of First World War poetry edited by Tim Kendall so I wanted to feature a war poet in Sunday Poetry today.
Last week I watched this excellent TV program about Ivor Gurney, one of the soldier poets of the Great War (George Simmers's blog is a wonderful resource about the Great War, by the way). Gurney survived the war but spent the last 15 years of his life in an asylum. He was a wonderful poet & musician. He studied at the Royal College of Music & wrote some beautiful songs. Here's a link to Bryn Terfel singing Sleep, one of Gurney's five Elizabethan songs.

One of the poems featured in the program was this one, The Silent One. It was written long after the war, when Gurney was in the asylum. His war experience was central to his life & he revisited it in his poetry during the first years in the asylum. His failure to get his poetry published depressed him further & he seems to have stopped writing after the mid 1920s. He died in 1937.

Who died on the wires, and hung there, one of two  -
Who for his hours of life had chattered through
Infinite lovely chatter of Bucks accent:
Yet faced unbroken wires; stepped over, and went
A noble fool, faithful to his stripes  - and ended.
But I weak, hungry, and willing only for the chance
Of line- to fight in the line, lay down under unbroken
Wires, and saw the flashes and kept unshaken,
Till the politest voice - a finicking accent, said:
‘Do you think you might crawl through there: there's a hole.'
Darkness shot at: I smiled, as politely replied –
‘I'm afraid not, Sir.' There was no hole, no way to be seen
Nothing but chance of death, after tearing of clothes.
Kept flat, and watched the darkness, hearing bullets whizzing –
And thought of music - and swore deep heart's oaths
(Polite to God) and retreated and came on again,
Again retreated a second time, faced the screen
.

Sunday, April 17, 2016

Sunday Poetry - Ogden Nash

I just had to end the week of the 1938 Club with a poem. I had trouble finding a poem so I've chosen a song instead, written by a poet so I've decided it counts! I'm a Stranger Here Myself by Ogden Nash. It was set to music by Kurt Weill for the musical One Touch of Venus.
Here is the lovely Ute Lemper singing it.

Tell me is love still a popular suggestion
Or merely an obsolete art?
Forgive me for asking, this simple question
I'm unfamiliar with this part
I am a stranger here myself

Why is wrong to murmur, "I adore him"
When it's shamefully obvious I do?
Does love embarrass him, or does it bore him?
I'm only waiting for my clue
I'm a stranger here myself

I dream of a day of a gay warm day
With my face between his hands
Have I missed the path? Have I gone astray?
I ask and no one understands

Love me or leave me
That seems to be the question
I don't know which tactics to use
But if he should offer

A personal suggestion
How could I possibly refuse
When I'm a stranger here myself?

Please tell me, tell a stranger
My curiosity goaded
Is there really any danger
That love is now out-moded?

I'm interested especially
In knowing why you waste it
True romance is so freshly
With what have you replaced it?

What is your latest foible?
Is Gin Rummy more exquisite?
Is skiing more enjoyable?
For heaven's sake what is it?

I can't believe
That love has lost its glamor
That passion is really passe
If gender is just a term in grammar
How can I ever find my way?
Since I'm a stranger here myself

How can he ignore my
Available condition?
Why these Victorian views?
You see here before you

A woman with a mission
I must discover the key to his ignition
And then if he should make
A diplomatic proposition

How could I possibly refuse?
How could I possibly refuse
When I'm a stranger here myself?

Sunday, April 10, 2016

Sunday Poetry - Rudyard Kipling

Still reading Kipling. I've been listening to Martin Jarvis reading Plain Tales From the Hills & I'm enjoying it very much. I'm listening to stories on the way to work & a couple before I go to sleep at night, especially if I've spent a lot of time that day looking at screens. So, I thought that an early Indian poem by Kipling would be perfect for today. The Story of Uriah refers to the Biblical story of King David, who lusts after Bathsheba & sends her husband, Uriah, to his death to get him out of the way. Apparently Kipling wrote the poem in response to a real life scandal during his time in India. The stories in Plain Tales From the Hills mostly take place in Simla, one of the hill towns where English families escaped the summer heat.
I need to read more about all this. I've read Charles Allen's Plain Tales from the Raj, Jane Robinson's Angels of Albion about the women of the Indian Mutiny & M M Kaye's memoirs of her life in India, Sun in the Morning, Golden Afternoon & Enchanted Evening (many years ago). On the tbr shelves I have Mollie Panter-Downes' Ooty Preserved, about another hill station, Ootacamund as well as a couple of novels, Paul Scott's Staying On & J G Farrell's The Hill Station.
But, as I'm currently reading four books, I'll probably just stick to the Plain Tales & dipping into the poetry for now, especially as reading Sarah Orne Jewett's A Country Doctor is leading me down the path of other Maine writers & I have enough to be going on with right now!

“Now there were two men in one city; the one rich, and the other poor.”

Jack Barrett went to Quetta   
  Because they told him to.   
He left his wife at Simla   
  On three-fourths his monthly screw.   
Jack Barrett died at Quetta           
  Ere the next month’s pay he drew.   

Jack Barrett went to Quetta.   
  He didn’t understand   
The reason of his transfer   
  From the pleasant mountain-land.           
The season was September,   
  And it killed him out of hand.   

Jack Barrett went to Quetta   
  And there gave up the ghost,
Attempting two men’s duty           
  In that very healthy post;   
And Mrs. Barrett mourned for him   
  Five lively months at most.   

Jack Barrett’s bones at Quetta   
  Enjoy profound repose;           
But I shouldn’t be astonished   
  If now his spirit knows   
The reason of his transfer   
  From the Himalayan snows.   

And, when the Last Great Bugle Call          
  Adown the Hurnai throbs,   
And the last grim joke is entered   
  In the big black Book of Jobs,   
And Quetta graveyards give again   
  Their victims to the air,           
I shouldn’t like to be the man   
  Who sent Jack Barrett there.

Sunday, April 3, 2016

Sunday Poetry - Rudyard Kipling

I keep tripping over Rudyard Kipling at the moment. After reading some of his war stories & poems, then his autobiographical memoir, Something of Myself, & finally tracking down the story about the stinginess of Henry VII (after reading the reference to it in The Daughter of Time again) he seems to be just on the edges of my mind.
I'm reading Trollope's Doctor Thorne at the moment & there was a reference to French brandy which made me think of the line Brandy for the parson, baccy for the clerk.


Then I was reminded of another line from the same poem, Watch the wall my darling when the gentlemen go by. Then that reminded me of Jane Aiken Hodge's novel (cover photo from here) which I remember reading & loving when I was a teenager. Sometimes I'm amazed at the way my mind works!
I couldn't remember who wrote the poem or what it was called but, on looking it up, discovered that it was Kipling - I should have known! This is A Smuggler's Song.

If you wake at midnight, and hear a horse's feet,
Don't go drawing back the blind, or looking in the street,
Them that ask no questions isn't told a lie.
Watch the wall my darling while the Gentlemen go by.

Five and twenty ponies,
Trotting through the dark -
Brandy for the Parson, 'Baccy for the Clerk.
Laces for a lady; letters for a spy,
Watch the wall my darling while the Gentlemen go by!

Running round the woodlump if you chance to find
Little barrels, roped and tarred, all full of brandy-wine,
Don't you shout to come and look, nor use 'em for your play.
Put the brishwood back again - and they'll be gone next day!

If you see the stable-door setting open wide;
If you see a tired horse lying down inside;
If your mother mends a coat cut about and tore;
If the lining's wet and warm - don't you ask no more!

If you meet King George's men, dressed in blue and red,
You be careful what you say, and mindful what is said.
If they call you " pretty maid," and chuck you 'neath the chin,
Don't you tell where no one is, nor yet where no one's been!

Knocks and footsteps round the house - whistles after dark -
You've no call for running out till the house-dogs bark.
Trusty's here, and Pincher's here, and see how dumb they lie
They don't fret to follow when the Gentlemen go by!

'If You do as you've been told, 'likely there's a chance,
You'll be give a dainty doll, all the way from France,
With a cap of Valenciennes, and a velvet hood -
A present from the Gentlemen, along 'o being good!

Five and twenty ponies,
Trotting through the dark -
Brandy for the Parson, 'Baccy for the Clerk.
Them that asks no questions isn't told a lie -
Watch the wall my darling while the Gentlemen go by! 

Sunday, March 27, 2016

Sunday Poetry - William Allingham

I was reminded of William Allingham the other day because he was the ODNB life of the day. The Fairies was one of my favourite poems when I was a child. As you can see, it was in my school reader (I must have been bored at some stage because I've coloured in the mountain) & I can still remember phrases & images from it all these years later. The crispy pancakes of yellow tide-foam fascinated me & the fate of little Bridget, stolen away for seven years & dying of sorrow, was a frightening thought at the age of about nine. The third verse below isn't in my school reader version, probably because it wouldn't fit neatly onto two pages.

I've also had Allingham's diaries on the tbr shelves for a few years in this lovely Folio Society edition. He was born in Ireland but lived in London for some years with his wife, Helen, who was a popular watercolour artist. He knew Tennyson, Rossetti & Burne-Jones so I really must get to the Diaries one of these days.

Up the airy mountain,   
  Down the rushy glen,   
We daren't go a-hunting   
  For fear of little men;   
Wee folk, good folk,            
  Trooping all together;   
Green jacket, red cap,   
  And white owl's feather!   

Down along the rocky shore   
  Some make their home,     
They live on crispy pancakes   
  Of yellow tide-foam;   
Some in the reeds   
  Of the black mountain lake,   
With frogs for their watch-dogs,     
  All night awake.   

High on the hill-top   
  The old King sits;   
He is now so old and gray   
  He 's nigh lost his wits.     
With a bridge of white mist   
  Columbkill he crosses,   
On his stately journeys   
  From Slieveleague to Rosses;   
Or going up with music     
  On cold starry nights   
To sup with the Queen   
  Of the gay Northern Lights.   

They stole little Bridget   
  For seven years long;     
When she came down again   
  Her friends were all gone.   
They took her lightly back,   
  Between the night and morrow,   
They thought that she was fast asleep,     
  But she was dead with sorrow.   
They have kept her ever since   
  Deep within the lake,   
On a bed of flag-leaves,   
  Watching till she wake.     

By the craggy hill-side,   
  Through the mosses bare,   
They have planted thorn-trees   
  For pleasure here and there.   
If any man so daring     
  As dig them up in spite,   
He shall find their sharpest thorns   
  In his bed at night.   

Up the airy mountain,   
  Down the rushy glen,     
We daren't go a-hunting   
  For fear of little men;   
Wee folk, good folk,   
  Trooping all together;   
Green jacket, red cap,     
  And white owl's feather!

Sunday, March 20, 2016

Sunday Poetry - Lord Thomas Howard

This is the companion to last week's Sunday Poem by Lady Margaret Douglas. Written by Lord Thomas Howard during his imprisonment in the Tower for the crime of entering into a pre-contract to marry the King's niece & possible heiress to the throne, it describes the commitment they had made to each other & their desire to be married in the eyes of the Church. Unfortunately, it was not to be.

With sorrowful sighs and wounds smart
My heart is pierced suddenly.
To mourn of right it is my part,
To weep, to fail full grievously.

The bitter tears doth me constrain,
Although that I would it eschew,
To wite of them that doth disdain
Faithful lovers that be so true.

The one of us from the other they do absent,
Which unto us is a deadly wound,
Seeing we love in this intent:
In God's laws for to be bound.

With sighs deep my heart is pressed,
Enduring of great pains among,
To see her daily whom I love best
In great and intolerable sorrows strong.

There doth not live no loving heart
But will lament our grievous woe
And pray to God to ease our smart
And shortly together that we may go.

Sunday, March 13, 2016

Sunday Poetry - Lady Margaret Douglas

I'm reading Alison Weir's latest book, The Lost Tudor Princess, a biography of Lady Margaret Douglas. Margaret was the daughter of Henry VIII's sister, Margaret, Queen of Scots, by her second husband, the Earl of Angus. Lady Margaret's parents separated when she was a child &, due to complicated political reasons, she grew up at the English Court. At one time in the 1530s, all three of Henry VIII's children were considered illegitimate so Margaret, born in England & a favourite of her capricious uncle, had a good claim to the English throne.

However, in 1535, when Margaret was 20 years old, she fell in love with Lord Thomas Howard, half-brother of the Duke of Norfolk & uncle of Anne Boleyn. The couple went through a form of pre-contract, at that time almost as binding as marriage, without the King's knowledge or consent. When Henry discovered this, he was furious & imprisoned them in the Tower. Although Thomas was an ambitious man who could see the advantages of marrying the King's niece who was so near to the throne, they do seem to have been genuinely in love. The evidence is in the form of a manuscript book of poems, known as the Devonshire Manuscript, many of them considered to have been written by the couple during their imprisonment. It seems that they were able to communicate because the poems often echo each other as if they were exchanges of letters && most of the poems were transcribed by Thomas.

The story has a sad ending but not the usual ending for royal women imprisoned in the Tower & the men who aspired to marry them. Margaret was freed in 1537 & restored to Henry's favour. Thomas, however, died of a fever during his imprisonment.

This is one of Margaret's poems from the Manuscript.

Now may I mourn as one of late
Driven by force from my delight,
And cannot see my lonely mate
To whom forever my heart is plight.

Alas! That ever prison strong
Should such two lovers separate,
Yet though our bodies suffereth wrong,
Our hearts should be of one estate.

I will not swerve, I you assure,
For gold nor yet for worldly fear,
But like as iron I will endure,
Such faithful love to you I bear.

Thus fare thee well, to me most dear
Of all the world, both most and least,
I pray you be of right good cheer
And think on me who loves you best.

And I will promise you again,
To think of you I will not let,
For nothing could release my pain
But to think on you my lover sweet.

Sunday, March 6, 2016

Sunday Poetry - Leo Marks

Serendipity led me to today's poem. Helene Hanff popped into my head the other day while I was brushing my teeth (I have no idea why). I often think of Mildred Lathbury when I'm cleaning the bath but that's not surprising. However, thinking about Helene Hanff led to thinking about Marks & Co, then to Leo Marks, who was the son of one of the owners. During WWII, Marks worked in the codes section of the SOE & assigned coded poems to agents going on a mission that they would use to send messages back to London. He assigned this poem to Violette Szabo, a young woman who joined SOE after her husband was killed. Her story became the book, Carve Her Name With Pride, by R J Minney & a very popular film starring Virginia McKenna. Marks also wrote a memoir, Between Silk and Cyanide, that I remember reading & enjoying in pre-blogging days.

The poem, The Life That I Have, has become very popular & is often used as a reading at funerals & memorial services. It wasn't even mentioned in the book & here is a fascinating article about the provenance of the poem. I don't think it matters who wrote it or how it came to be used in the film. It's simple yet very moving, especially in the context of a young woman parachuting into Occupied France, risking her life for her country.

The life that I have
Is all that I have
And the life that I have
Is yours

The love that I have
Of the life that I have
Is yours and yours and yours.

A sleep I shall have
A rest I shall have
Yet death will be but a pause
For the peace of my years
In the long green grass
Will be yours and yours and yours.

Sunday, February 28, 2016

Sunday Poetry - John Donne

Another post on the Interesting Literature website, this time about my favourite poet, John Donne. Claiming Donne as my favourite poet is a bold call as I love many poets but I can remember loving his poetry at high school &, if a poet can survive Year 12 English classes, he's a keeper.
It was difficult to choose one of the ten featured at Interesting Literature as I love them all but I've chosen The Canonization, which combines Donne's religious poetry & his love lyrics in one. Just to make life complete, here is Richard Burton reading the poem.

Richard Burton has been on my mind this week. I've been listening to Adam Sisman's excellent biography of John le Carré (read by Michael Jayston) & I was interested to hear about the experience of turning le Carré's novel, The Spy Who Came In From the Cold, into a movie. The movie starred Richard Burton. Burton wanted Elizabeth Taylor to be cast as his love interest but the role went to a much more suitable Claire Bloom. Bloom had worked with Burton before & they had been lovers so Taylor was jealous (Bloom's character's name even had to be changed from Liz to Nan), Burton didn't get on with the director, Martin Ritt, & the experience of filming was fraught. Maybe they should have spent more time reading poetry?

For God's sake hold your tongue, and let me love,
         Or chide my palsy, or my gout,
My five gray hairs, or ruined fortune flout,
         With wealth your state, your mind with arts improve,
                Take you a course, get you a place,
                Observe his honor, or his grace,
Or the king's real, or his stampèd face
         Contemplate; what you will, approve,
         So you will let me love.

Alas, alas, who's injured by my love?
         What merchant's ships have my sighs drowned?
Who says my tears have overflowed his ground?
         When did my colds a forward spring remove?
                When did the heats which my veins fill
                Add one more to the plaguy bill?
Soldiers find wars, and lawyers find out still
         Litigious men, which quarrels move,
         Though she and I do love.

Call us what you will, we are made such by love;
         Call her one, me another fly,
We're tapers too, and at our own cost die,
         And we in us find the eagle and the dove.
                The phœnix riddle hath more wit
                By us; we two being one, are it.
So, to one neutral thing both sexes fit.
         We die and rise the same, and prove
         Mysterious by this love.

We can die by it, if not live by love,
         And if unfit for tombs and hearse
Our legend be, it will be fit for verse;
         And if no piece of chronicle we prove,
                We'll build in sonnets pretty rooms;
                As well a well-wrought urn becomes
The greatest ashes, as half-acre tombs,
         And by these hymns, all shall approve
         Us canonized for Love.

And thus invoke us: "You, whom reverend love
         Made one another's hermitage;
You, to whom love was peace, that now is rage;
         Who did the whole world's soul contract, and drove
                Into the glasses of your eyes
                (So made such mirrors, and such spies,
That they did all to you epitomize)
         Countries, towns, courts: beg from above
         A pattern of your love!"

Sunday, February 21, 2016

Sunday Poetry - Henry Wadsworth Longfellow

Another article from the website Interesting Literature led me to this poem by Henry Wadsworth Longfellow about rain. It's called The Rainy Day & contains the famous line, "Into each life some rain must fall." I love rain & at this time of year, when I'm hoping that autumn is not too far away, it was lovely to read the many different ways poets have looked at rain. Longfellow seems fed up with life until the very end when he hints at returning sunshine.
The beautifully atmospheric photo is from here.

The day is cold, and dark, and dreary;
It rains,and the wind is never weary;
The vine still clings to the mouldering wall,
But at every gust the dead leaves fall,
And the day is dark and dreary.

My life is cold, and dark, and dreary;
It rains, and the wind is never weary;
My thoughts still cling to the mouldering past,
But the hopes of youth fall thick in the blast,
And the days are dark and dreary.

Be still, sad heart, and cease repining;
Behind the clouds is the sun still shining;
Thy fate is the common fate of all,
Into each life some rain must fall,
Some days must be dark and dreary.

Sunday, February 14, 2016

Sunday Poetry - Pangur Bán

I love this poem which combines books & cats. It's Pangur Bán, a poem written by an Irish monk in the 9th century. It was discovered written on a manuscript & celebrates the life of a scholar monk & his cat, Pangur Bán. I came across this poem again recently at a website called Interesting Literature, in a post about 10 classic poems about cats. I've signed up for the regular emails from the site which highlights interesting facts about a writer or a poem. This translation of  Pangur Bán is by Eavan Boland.

Myself and Pangur, cat and sage
Go each about our business;
I harass my beloved page,
He his mouse.

Fame comes second to the peace
Of study, a still day
Unenvying, Pangur's choice
Is child's play.

Neither bored, both hone
At home a separate skill
Moving after hours alone
To the kill

When at last his net wraps
After a sly fight
Around a mouse; mine traps
Sudden insight.

On my cell wall here,
His sight fixes, burning,
Searching; my old eyes peer
At new learning,

And his delight when his claws
Close on his prey
Equals mine when sudden clues
Light my way.

So we find by degrees
Peace in solitude,
Both of us, solitaries,
Have each the trade

He loves: Pangur, never idle
Day or night
Hunts mice; I hunt each riddle
From dark to light.

Sunday, February 7, 2016

Sunday Poetry - Rudyard Kipling

This poem, The Storm Cone, was one of Kipling's last poems, written in 1935. He had seen & written about many wars, from the Sudan to South Africa & the Great War & was horrified at the signs of growing German militarism. I've been reading this volume of war stories & poems & have just started Kipling's autobiography, Something of Myself, which is proving interesting for what he's not saying about himself. One reviewer apparently called it Hardly Anything of Myself! I will definitely need to read a biography afterwards to fill in the gaps. Can anyone recommend a good one? I've heard good things about the Andrew Lycett; I enjoyed his biography of Arthur Conan Doyle.

This is the midnight-let no star
Delude us-dawn is very far.
This is the tempest long foretold-
Slow to make head but sure to hold

Stand by! The lull 'twixt blast and blast
Signals the storm is near, not past;
And worse than present jeopardy
May our forlorn to-morrow be.

If we have cleared the expectant reef,
Let no man look for his relief.
Only the darkness hides the shape
Of further peril to escape.

It is decreed that we abide
The weight of gale against the tide
And those huge waves the outer main
Sends in to set us back again.

They fall and whelm. We strain to hear
The pulses of her labouring gear,
Till the deep throb beneath us proves,
After each shudder and check, she moves!

She moves, with all save purpose lost,
To make her offing from the coast;
But, till she fetches open sea,
Let no man deem that he is free!