Showing posts with label Charlotte Riddell. Show all posts
Showing posts with label Charlotte Riddell. Show all posts

Tuesday, January 6, 2015

A Struggle for Fame - Charlotte Riddell

A Struggle for Fame is the story of a young woman's journey from obscurity to fame & the price she pays for it. Two young people, Bernard Kelly & Glenarva Westley, are passengers on a ferry ride from Ireland to England. Barney Kelly is looking for opportunity & thinks he's sharp enough to take advantage of any chance he gets. He is going to stay with a relative, Mat Donagh, who has the reputation in the family of being a literary lion & who is going to give Barney a start. Glen Westley is traveling with her father & their journey is a last-ditch attempt to salvage a life from financial disaster. The story follows both Barney & Glen &, although they come across each other in literary London, they follow very different paths.

Barney & Mat don't get on. Mat is pompous & very superior, regretting the invitation to Barney almost as soon as he arrives because Barney isn't taken in by his manner as Mat's sister & aunt are. Barney is at rock bottom, ready to give up on his literary dreams after accidentally antagonising his rich, influential uncle, & take a position as a clerk if he can get it, when he meets the Dawton family. Mr Dawton is an actor, past his best now but still living on past glories. His sons work at the Galaxy, a literary magazine that Mat Donagh works for but failed to get Barney an introduction. Barney does start writing for the Galaxy although he doesn't have the touch & the Dawton boys have to discreetly edit his work to make it acceptable.

Glen Westley's childhood in Ireland was idyllic until the death of her mother & the financial troubles of her father meant that they had to leave the family estate & move to a cottage on the coast. Mr Westley had inherited the property late in life but without the money to keep it up & his financial speculations have only made matters worse. Glen is happy in their cottage, playing with the local children, including her particular friend, Ned Beattie, & writing. She's a natural writer & writes because she can't do anything else. She hasn't had anything published &, when the family finances are at their lowest, she decides that they must move to London, the heart of the literary world, where she can find a publisher for her work.

Glen suffers many knockbacks & dismissals as she trudges around London visiting publishers & magazines. Mr Vassett, owner of a small publishing house, gives Glen some advice on rejecting her manuscript,

'My dear young lady,' he said, in his best manner, 'how can I tell you what I do not know myself? There is no Royal road to fame. Those who have achieved it tell me the path is rough, and hard to find; that it is lonely, often dark, always toilsome; while for those who never reach the goal - '
'They have attempted, at any rate,' she finished, as he paused, and there ensued a dead silence.
It was Mr Vassett who broke it.
'Literature,' he began, speaking in a general and didactic manner, 'is, so far as I am aware, the only profession in which persons imagine they can embark without the smallest training or preparation, or the remotest idea of the labour involved in producing an even moderately successful work.'
'I am not afraid at all of any trouble,' came from the special 'person' for whom this rebuke was intended. 'If you only tell me what I ought to do I will try to set about it at once.'

This is no fairytale. Glen works hard & gets nowhere. She finds she can't write at all in London, she needs the fresh air & beauty of her Irish home. No one wants Irish stories & she doesn't know enough about England to adapt her work. Her father's health declines & the only luck he has is in collapsing in the street & meeting a man who helps him home & then becomes interested in Glen & tries to help. Mr Logan Lacere falls in love with Glen & she eventually agrees to marry him. He turns out to be kind & adoring but just as ineffectual as Mr Westley, with a grasping set of relatives who depend on him financially & despise Glen for her background. Eventually Glen finds a measure of success with her novels but she wonders if the price she has paid has been worth it. Glen is a strong, determined woman & the challenges she faces inevitably change her.

It was a miserable experience, one bad for soul and body, which left ineradicable traces on Glen's face and mind. For ever the calm, peaceful look of youth left her brow, and though her character strengthened, there grew at the same time a mental irritability as well as a weary unrest, foreign to her original nature. To anyone who had known her at Ballyshane, the change would have seemed most marked; indeed, when, after the lapse of two long years, Edward Beattie saw his old friend again, he asked himself in astonishment if this grave, cynical, self-contained woman could ever have been light-hearted, frank-spoken Glen Westley.

This is such an interesting novel. I loved the details of Glen's struggle, which are obviously based on Charlotte Riddell's own experiences. Riddell was a prolific & successful novelist but she, like Glen, had moved from Ireland to England with an invalid parent to try & earn a living by her writing. Riddell married but had to support her husband when his health broke down. She edited magazines as well as writing short stories & novels & experienced the highs & lows of such a precarious life. She is scathing about publishers & the difficulties of getting adequate payment. She is also very funny, especially in the story of Lady Hilda Hicks, one of Mr Vassett's authors. Lady Hilda is a society woman, separated from her titled husband & writing scandalous bestsellers libeling him which upsets Mr Vassett & his reader, Mr Pierson. Although she's his bestselling author, Mr Vassett can't cope with her high-handed demands & total disregard for the libel laws.

A couple of months ago, I read Charlotte Riddell's Weird Stories, reprinted by Victorian Secrets. I was very excited to see that another small press, based in Ireland, Tramp Press, was reprinting A Struggle for Fame as the first of their Recovered Voices Series. I look forward to seeing what other gems they find. Apart from the contents, the book itself is beautiful. Almost trade paperback size, it has French flaps, good clear print & a hot pink spine with yellow endpapers as well as that gorgeous portrait on the cover.

Tuesday, November 4, 2014

Weird Stories - Charlotte Riddell

I love a good ghost story & I don't read enough of them. I have quite a few collections on the tbr shelves & with Halloween last week, I decided to read one of the collections reprinted by Victorian Secrets. I was also reminded of this book because, as I mentioned last week, I've ordered the new Tramp Press edition of Charlotte Riddell's A Struggle for Fame, which I'm looking forward to reading even more now.

The popularity of the ghost story really grew in the Victorian period. The sensation novel created a market for the shocking & the unusual & there were many periodicals looking for short stories to fill their pages. Women writers proved to be particularly adept at the ghost story &, on the evidence of this collection, Charlotte Riddell was one of the most effective at creating a genuinely spooky atmosphere. I think she's also unusual in choosing male narrators, often in the first person, for her stories.

The stories in this collection are all similar in their setup. A house, left empty for some time, is rumoured to be haunted. A man, often young & over-confident, agrees to stay in a house to disprove those rumours of haunting. Sometimes it's a married man, like Dick Tippens in Old Mrs Jones, doing quite well for himself, deciding to rent a house said to be haunted by Mrs Jones, a woman who was supposedly ill-treated by her husband & who disappeared mysteriously. All goes well at first but then, Mrs Tippens finds that her lodgers won't stay, her children tell her that an old woman comes into their room at night & stares at them. Finally, Dick's young cousin comes to stay & is tormented by Mrs Jones every night in her dreams until she takes to sleepwalking, desperately trying to remember what the old woman wants her to do.

In The Open Door, a disaffected auctioneer's clerk agrees to go down & investigate the mystery of a house let to one of their clients. The client, Mr Carrison, refuses to stay there because of a door that refuses to stay shut. In The Old House in Vauxhall Walk, a young man who has quarreled with his father & walked out of home with nothing, meets an old servant who allows him to stay overnight in a house that he's about to leave. Stories of a rich, miserly woman who once lived there & spent a lonely old age regretting her failure to help her family with her money have led to stories of haunting & Graham Coulton has a very odd dream that leads to the solution of a mystery about the old woman's money.

Apart from the interest of the stories themselves, what I really enjoyed was the matter of fact style of writing. There are no Gothic overtones or quaintly archaic language. Charlotte Riddell tells her stories in plain, unadorned language that seems very modern compared to some Victorian fiction. I'm reading Charles Reade's The Cloister and the Hearth with my 19th century bookgroup at the moment. I'm enjoying it but it's a real baggy monster of a book. It must be at least 600pp long (it's hard to tell as I'm reading the ebook), set in the 15th century & full of that archaic language that Josephine Tey in The Daughter of Time calls "writing forsoothly". I'm enjoying the book (there are lots of things I love about it, especially Margaret's story & Denys, the Burgundian soldier) but Reade obviously had to fill his three volumes as there are endless adventures that our hero is involved in on his journey from Holland to Rome (several of us were so bogged down in the journey that we'd forgotten where Gerard was going!) & the dialogue is very forsoothly indeed. To read one of Charlotte Riddell's stories every night - short, sharp, very modern in style - was a refreshing change.

I also loved the sense of place. Several of the stories are set in the countryside & Riddell describes the delights of the country beautifully. Of course the beauty of the country side is in contrast to the evil lurking just out of view. Nut Bush Farm, to be let cheaply because there's a mystery about the fate of the last tenant, is just what Jack is looking for.

I looked at it over a low laurel hedge growing inside an open paling about four feet high. Beyond the hedge there was a strip of turf, green as emeralds, smooth as a bowling green - then came a sunk fence, the most picturesque sort of protection the ingenuity of man ever devised; beyond that, a close-cut lawn which sloped down to the sunk fence from a house with projecting gables in the front, the recessed portion of the building having three windows on the first floor. Both gables were covered with creepers, the lawn was girt in by a semicircular sweep of forest trees; the afternoon sun streamed over the grass and tinted the swaying foliage with a thousand tender lights. Hawthorn bushes, pink and white, mingled with their taller and grander brothers. The chestnuts here were in flower, the copper beech made a delightful contrast of colour, and a birch rose delicate and graceful close beside.

Of course, the mystery of what happened to the last tenant - did he elope with a pretty young girl, leaving his wife & children destitute or was he murdered for the large sum of money he'd just withdrawn from his bank? - will colour Jack's opinion of his new home.

Weird Stories is perfect for any time of year, not just Halloween. Read just one story a day & see if you find the tales of ghosts & haunted houses easy to dismiss from your mind.

Thursday, October 30, 2014

Books & roses

First, the roses. These are the first roses of the summer, picked on Sunday morning. The pink ones are Eglantine & the red, The Squire. My roses are looking beautiful this year, covered in buds so I'm hoping to be able to pick lots of them for the house & to take to work so I have something lovely to look at & to smell when it all gets too much. Of course, ten minutes after I put the flowers on the kitchen bench, Lucky was nibbling away at them. Why does she do this? I often wake up to find that she's very delicately flipped a rose out of the vase or jug & has nibbled all around the edges.


The books are a few new books & preorders I wanted to mention. I thought of Monica Baldwin the other day when a friend said that she once lent a copy of The Letters of Rachel Henning & it was never returned. This reminded me that I once lent a copy of Monica Baldwin's memoir, I Leap Over The Wall, & never saw it again. So, I was pleased to discover that it's being reprinted in January. I'm not sure I like the cover though... Anyway, Monica was the daughter of Stanley Baldwin, & entered a convent when she was 21 in 1914. Twenty-eight years later, she leaves, & this is the story of her life in the convent & what she experiences when she leaves.

Charlotte Riddell is an author I've read about rather than read. I've been reading her Weird Stories this week, reprinted by Victorian Secrets, & another of her novels, A Struggle for Fame, is being reprinted this month by Tramp Press, a new Irish publisher. This is the first in their Recovered Voices series & I can't wait to read it.

The Ghost and Mrs Muir is one of my favourite movies - I watched it again last weekend - & Vintage have reprinted the novel by R A Dick as part of their Movie Classics series which also includes Alice Adams by Booth Tarkington & Show Boat by Edna Ferber.

Persephone in the UK & Sourcebooks in the US have both been reprinting D E Stevenson in recent years. It's a shame that they began by reprinting the same titles (the Miss Buncle series) but Sourcebooks have kept their reprint list going with The Four Graces, The Young Clementina &, in January, The Listening Valley. I listened to this on audio a couple of years ago but will probably need a copy for rereading in the future. I also feel compelled to buy copies of authors like Stevenson & Angela Thirkell when they're reprinted in case they go out of print again, which they probably will.

The British Library Crime Classics series has been very successful in alerting fans of Christie, Sayers & Allingham to other Golden Age mystery writers we'd never heard of. It doesn't hurt that the covers are just gorgeous, often based on railway posters of the period. Mystery in White by J Jefferson Farjeon (brother of Eleanor) (great review by Desperate Reader here) & A Scream in Soho by John G Brandon have just been published & The Sussex Downs Murder by John Bude & Murder in Piccadilly by Charles Kingston will be published in January. I enjoyed The Santa Klaus Murder & Death on the Cherwell by Mavis Doriel Hay & I'm looking forward to reading more in the series.

I've also preordered Mark Bostridge's new book, Vera Brittain and the First World War : the story of Testament of Youth. Published to coincide with the new film, I'm hoping it's not just a rehash of his 1995 biography of Vera. I know I'll feel compelled to see this new movie version of Testament of Youth but I don't imagine it will be as affecting as the TV series with Cheryl Campbell.

You can watch the trailer here but it looks too pretty, too clean. I feel a reread of the book & rewatch of the series coming on.

Finally, two books by favourite authors on favourite subjects published next year. The Golden Age of Murder by Martin Edwards published in May & The Lives of Richard III by Chris Skidmore published in August. A history of mystery fiction by one of my favourite contemporary crime writers (who has written Introductions for many of the British Library series) is unmissable & a new biography of Richard III incorporating all the new information since the discovery of his remains in Leicester is a very exciting prospect. I really enjoyed Skidmore's book on Bosworth so I'm looking forward to this one. Two books that will definitely not find their way to the ever-increasing tbr shelves. I will read them as soon as they hit the doormat. Absolutely, I promise.